{"id":1288,"date":"2016-11-29T20:48:15","date_gmt":"2016-11-29T20:48:15","guid":{"rendered":"http:\/\/ragipsahin.com\/?p=1288"},"modified":"2016-11-30T14:29:39","modified_gmt":"2016-11-30T14:29:39","slug":"altin-oran","status":"publish","type":"post","link":"https:\/\/www.ragipsahin.com.tr\/?p=1288","title":{"rendered":"Alt\u0131n Oran"},"content":{"rendered":"

Alt\u0131n oran nedir?
\nAlt\u0131n oran ka\u00e7t\u0131r?
\nAlt\u0131n oran\u0131n de\u011feri ka\u00e7t\u0131r?
\nAlt\u0131n oran\u0131 kimler kullanm\u0131\u015ft\u0131r?
\nAlt\u0131n oran d\u00fcnyada nerelerde g\u00f6r\u00fcl\u00fcr?
\nAlt\u0131n oran evrende nerelerde g\u00f6r\u00fcl\u00fcr?
\nHepsinin cevab\u0131n\u0131 alaca\u011f\u0131n\u0131z vidomuzu izleyin. Hayran kalacaks\u0131n\u0131z. buray\u0131 da okuyup payla\u015f\u0131m\u0131za de\u011ferli yorumlar\u0131n\u0131z\u0131 bekliyoruz…\"abonelik\"<\/a>Alt\u0131n oran nedir?<\/p>\n

Allah kainat\u0131 kusursuz bir d\u00fczen i\u00e7inde yaratm\u0131\u015ft\u0131r. Uzayda, yery\u00fcz\u00fcnde, canl\u0131larda, bitkilerde ola\u011fan\u00fcst\u00fc bir uyum, insan\u0131 hayrete d\u00fc\u015f\u00fcren ve hayranl\u0131k uyand\u0131ran harikal\u0131klar vard\u0131r. Rabbimiz bu ola\u011fan\u00fcst\u00fcl\u00fc\u011f\u00fc M\u00fclk Suresi’nde \u015fu \u015fekilde bildirilmektedir:<\/p>\n

… Rahman (olan Allah)\u0131n yaratmas\u0131nda hi\u00e7bir ‘\u00e7eli\u015fki ve uygunsuzluk’ (tefav\u00fct) g\u00f6remezsin. \u0130\u015fte g\u00f6z\u00fc(n\u00fc) \u00e7evirip-gezdir; herhangi bir \u00e7atlakl\u0131k (bozukluk ve \u00e7arp\u0131kl\u0131k) g\u00f6r\u00fcyor musun? Sonra g\u00f6z\u00fcn\u00fc iki kere daha \u00e7evirip-gezdir; o g\u00f6z (uyumsuzluk bulmaktan) umudunu kesmi\u015f bir halde bitkin olarak sana d\u00f6necektir. (M\u00fclk Suresi, 3-4)<\/p>\n

\u0130nsano\u011flu kainat\u0131, do\u011fay\u0131, hayvanlar\u0131, bitkileri ve insan v\u00fccudunu inceledik\u00e7e Allah’\u0131n sonsuz sanat\u0131n\u0131n \u00f6rneklerini daha yak\u0131ndan fark eder ve bu yarat\u0131l\u0131\u015f harikal\u0131klar\u0131 ki\u015finin imanda derinle\u015fmesine, Allah korkusunun ve Allah sevgisinin artmas\u0131na vesile olur.<\/p>\n

Bir ay\u00e7i\u00e7e\u011finin yapraklar\u0131nda, salyangozun kabu\u011funda, \u00e7am kozala\u011f\u0131nda ya da parmaklar\u0131m\u0131z\u0131n uzunlu\u011funda bulunan matematiksel oran da bu ola\u011fan\u00fcst\u00fcl\u00fcklerden bir tanesidir. Bilim adamlar\u0131n\u0131n “Alt\u0131n oran” ismini verdikleri bu hayranl\u0131k uyand\u0131ran uyumu \u015fu \u015fekilde tan\u0131mlamak m\u00fcmk\u00fcnd\u00fcr:<\/p>\n

\u0130talya’n\u0131n Pisa Kenti’nden “Leonardo Pisano” veya lakab\u0131 olan “Fibonacci”, Orta\u00e7a\u011f’\u0131n en etkili matematik\u00e7isi olarak an\u0131l\u0131r. Fibonacci’nin buldu\u011fu say\u0131 dizisi, kendi ad\u0131 olan Fibonacci say\u0131lar\u0131 olarak an\u0131lmaktad\u0131r. Bu say\u0131lar\u0131n \u00f6zelli\u011fi, dizideki say\u0131lardan her birinin kendisinden \u00f6nce gelen iki say\u0131n\u0131n toplam\u0131ndan olu\u015fmas\u0131d\u0131r.1<\/p>\n

Fibonacci dizisi 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, … \u015feklinde ilerlemektedir.<\/p>\n

Dizideki say\u0131lar\u0131 bir \u00f6ncekine b\u00f6ld\u00fc\u011f\u00fcn\u00fczde, birbirine \u00e7ok yak\u0131n say\u0131lar elde edersiniz. Hatta serideki 13. s\u0131rada yer alan say\u0131dan sonra bu say\u0131 sabitlenir. \u0130\u015fte bu say\u0131 “alt\u0131n oran” olarak adland\u0131r\u0131lan 1,618’dir.<\/p>\n

233 \/ 144 = 1,618
\n377 \/ 233 = 1,618
\n610 \/ 377 = 1,618
\n987 \/ 610 = 1,618
\n1597 \/ 987 = 1,618
\n2584 \/ 1597 = 1,618<\/p>\n

Bu oran Allah’\u0131n bir mucizesi olarak, do\u011fadaki bir\u00e7ok varl\u0131kta g\u00f6zlenebilir. H\u00fccrelerimizin i\u00e7indeki DNA sarmal\u0131ndan, uzaydaki galaksilerin \u015fekillerine kadar alt\u0131n oran\u0131 bulmak m\u00fcmk\u00fcnd\u00fcr. Talak Suresi’nde “Rabbimiz’in her\u015fey i\u00e7in bir \u00f6l\u00e7\u00fc k\u0131ld\u0131\u011f\u0131” bildirilmektedir. (Talak Suresi, 3) \u0130\u015fte Alt\u0131n Oran da Allah’\u0131n d\u0131\u015f alemde bizler i\u00e7in var etti\u011fi yarat\u0131l\u0131\u015f delillerinden biridir.<\/p>\n

1 Guy Murchie, The Seven Mysteries Of Life, First Mariner Boks, New York s. 58-59<\/p>\n

Alt\u0131n Oran Nerelerde Kullan\u0131l\u0131r<\/p>\n

Alt\u0131n Oran Nerelerde Kullan\u0131l\u0131r<\/p>\n

1) Ay\u00e7i\u00e7e\u011fi: Ay\u00e7i\u00e7e\u011fi’nin merkezinden d\u0131\u015far\u0131ya do\u011fru sa\u011fdan sola ve soldan sa\u011fa do\u011fru tane say\u0131lar\u0131n\u0131n birbrine oran\u0131 alt\u0131n oran\u0131 verir.<\/p>\n

2) Papatya \u00c7i\u00e7e\u011fi: Papatya \u00c7i\u00e7e\u011finde de ay\u00e7i\u00e7e\u011finde oldu\u011fu gibi bir alt\u0131n oran mevcuttur.<\/p>\n

3) \u0130nsan Kafas\u0131: Bildi\u011finiz gibi her insan\u0131n kafas\u0131nda bir ya da birden fazla sa\u00e7lar\u0131n \u00e7\u0131kt\u0131\u011f\u0131 d\u00fc\u011f\u00fcm noktas\u0131 denilen bir nokta vard\u0131r. \u0130\u015fte bu noktadan \u00e7\u0131kan sa\u00e7lar do\u011frusal yani dik de\u011fil, bir spiral, bir e\u011fri yaparak \u00e7\u0131kmaktad\u0131r. \u0130\u015fte bu spiralin ya da e\u011frinin tanjant\u0131 yani e\u011frilik a\u00e7\u0131s\u0131 bize alt\u0131n oran\u0131 verecektir.<\/p>\n

4) \u0130nsan V\u00fccudu: \u0130nsan V\u00fccudunda Alt\u0131n Oran’\u0131n nerelerde g\u00f6r\u00fcld\u00fc\u011f\u00fcne bakal\u0131m:
\na) Kollar: \u0130nsan v\u00fccudunun bir par\u00e7as\u0131 olan kollar\u0131 dirsek iki b\u00f6l\u00fcme ay\u0131r\u0131r(B\u00fcy\u00fck(\u00fcst) b\u00f6l\u00fcm ve k\u00fc\u00e7\u00fck(alt) b\u00f6l\u00fcm olarak). Kolumuzun \u00fcst b\u00f6l\u00fc- m\u00fcn\u00fcn alt b\u00f6l\u00fcme oran\u0131 alt\u0131n oran\u0131 verce\u011fi gibi, kolumuzun tamam\u0131n\u0131n \u00fcst b\u00f6l\u00fcme oran\u0131 yine alt\u0131n oran\u0131 verir.
\nb) Parmaklar: Ellerimizdeki parmaklarla alt\u0131n oran\u0131n ne alakas\u0131 var diyebilirsiniz. \u0130\u015fte size alaka… Parmaklar\u0131n\u0131z\u0131n \u00fcst bo\u011fumunun alt bo\u011fuma oran\u0131 alt\u0131n oran\u0131 verece\u011fi gibi, parma\u011f\u0131n\u0131z\u0131n tamam\u0131n\u0131n \u00fcst bo\u011fuma oran\u0131 yine alt\u0131n oran\u0131 verir.<\/p>\n

5) Tav\u015fan: \u0130nsan kafas\u0131nda oldu\u011fu gibi tav\u015fanda da ayn\u0131 \u00f6zellik vard\u0131r.<\/p>\n

6) M\u0131s\u0131r Piramitleri: \u0130\u015fte size Alt\u0131n Oran’\u0131n en eski \u00f6rneklerinden biri… \u015eimdi ne alaka Alt\u0131n Oran ve Milattan \u00d6nce yap\u0131lan M\u0131s\u0131r Piramitleri? Alaka \u015fu; Her bir piramitin taban\u0131n\u0131n y\u00fcksekli\u011fine oran\u0131 evet yine alt\u0131n oran\u0131 veriyor.<\/p>\n

7) Leonardo da Vinci: Bilindi\u011fi gibi Leonardo da Vinci R\u00f6nesans devri \u00fcnl\u00fc ressamlar\u0131ndand\u0131r. \u015eimdi bu \u00fcnl\u00fc ressam\u0131n \u00e7izmi\u015f ooldu\u011fu tablolar\u0131 inceleyelim.
\na) Mona Lisa: Bu tablonun boyunun enine oran\u0131 alt\u0131n oran\u0131 verir.
\nb) Aziz Jerome: Yine tablonun boyunun enine oran\u0131 bize alt\u0131n oran\u0131 verir.<\/p>\n

8) Picasso: Picasso da Leonardo da Vinci gibi \u00fcnl\u00fc bir ressamd\u0131r. Ve resimlerinde bu oran\u0131 kullanm\u0131\u015ft\u0131r.<\/p>\n

9) \u00c7am Kozala\u011f\u0131: \u00c7am kozala\u011f\u0131ndaki taneler kozala\u011f\u0131n alt\u0131ndaki sabit bir noktadan kozala\u011f\u0131n tepesindeki ba\u015fka bir sabit noktaya do\u011fru spiraller (e\u011friler) olu\u015fturarak \u00e7\u0131karlar. \u0130\u015fte bu e\u011frinin e\u011frilik a\u00e7\u0131s\u0131 alt\u0131n orand\u0131r.<\/p>\n

10) Deniz Kabu\u011fu: Denize \u00e7o\u011fumuz gitmi\u015fizdir. Deniz kabuklar\u0131na dikkat edenimiz, belki de kolleksiyon yapan\u0131m\u0131z vard\u0131r. \u0130\u015fte deniz kabu\u011funun yap\u0131s\u0131 incelendi\u011finde bir e\u011frilik tespit edilmi\u015f ve bu e\u011frili\u011fin tanjant\u0131n\u0131n alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

11) T\u00fct\u00fcn Bitkisi: T\u00fct\u00fcn Bitkisinin yapraklar\u0131n\u0131n dizili\u015finde bir e\u011frilik s\u00f6z konusudur. Bu e\u011frili\u011fin tanjant\u0131 alt\u0131n orand\u0131r.<\/p>\n

12) E\u011frelti Otu: T\u00fct\u00fcn Bitkisindeki ayn\u0131 \u00f6zellik E\u011frelti Otu’nda da vard\u0131r.<\/p>\n

13) Elektrik Devresi: Ya demek ki Alt\u0131n Oran sadece Matematik ve kainatta de\u011fil, Fizik’te de kullan\u0131l\u0131yormu\u015f. Nas\u0131l m\u0131? \u015e\u00f6yle… Verilen n tane diren\u00e7ten maximum verim elde etmek i\u00e7in bir paralel ba\u011flama yap\u0131lmas\u0131 gerekir. Bu durumda E\u015fde\u011fer Diren\u00e7, yani Re\u015f= yani alt\u0131n oran olur.<\/p>\n

14) Salyangoz: Salyangozun Kabu\u011fu bir d\u00fczleme aktar\u0131l\u0131rsa, bu d\u00fczlem bir dikd\u00f6rtgen olu\u015fturur (-ki biz bu dikd\u00f6rtgene alt\u0131n dikd\u00f6rtgen diyoruz.-) \u0130\u015fte bu dikd\u00f6rtgenin boyunun enine oran\u0131 yine alt\u0131n oran\u0131 verir.<\/p>\n

15) OTOMOT\u0130V SANAY\u0130: \u0130lk \u00f6nce ben size bir soru y\u00f6nelteyim. Estetik bak\u0131m\u0131ndan bir Murat 131 mi daha \u00e7ok ilginizi \u00e7eker yoksa bir Mazda ya da Toyota m\u0131? Tabi ki Mazda ya da Toyota demi\u015fsinizdir. Peki bunun nedenini hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? Ben size s\u00f6yleyeyim. \u015eimdi Murat 131’e bak\u0131yorsunuz, bakt\u0131k\u00e7a i\u00e7iniz karar\u0131yor, yine bak\u0131yorsunuz yine karar\u0131yor. En sonunda ya karde\u015fim bu ne bi\u00e7im araba diyorsunuz. Ama gidip bir Mazda ya da Toyota’ya bak\u0131yorsunuz. Bakt\u0131k\u00e7a i\u00e7iniz rahatl\u0131yor, yine bak\u0131yorsunuz ferahl\u0131yorsunuz. \u00c7\u00fcnk\u00fc o kadar g\u00fczel bir estetik var ki. \u0130\u015fte bu esteti\u011fi e\u011fim sa\u011fl\u0131yor. Mesela Murat 131’in \u00f6n\u00fc, arkas\u0131, kap\u0131s\u0131 her yeri d\u00fcz (M\u00fcbarek kibrit kutusu) Ama Mazda ya da Toyota’n\u0131n kap\u0131s\u0131nda \u00f6zellikle \u00f6n ve arka tamponunda bir e\u011fim var. \u0130\u015fte bu e\u011fimin e\u011frilik a\u00e7\u0131s\u0131 ara\u015ft\u0131r\u0131lm\u0131\u015f ve bunun alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Bundan dolay\u0131 \u00c7in, Amerika, Japon Otomotiv Sanayi D\u00fcnya’da ilk \u00fc\u00e7\u00fc olu\u015ftururken; T\u00fcrkiye maalesef ve maalesef 30-40-50. s\u0131ralarda yer almakta. \u0130n\u015fallah bir g\u00fcn bunu biz de ak\u0131l ederiz…<\/p>\n

16) M\u0130MAR S\u0130NAN: Mimar Sinan’\u0131n da bir \u00e7ok eserinde bu alt\u0131n oran g\u00f6r\u00fclmektedir. Mesela S\u00fcleymaniye ve Selimiye Camileri’nin minarelerinde bu oran g\u00f6r\u00fclmektedir.<\/p>\n

\n

Alt\u0131n oran nedir?Allah kainat\u0131 kusursuz bir d\u00fczen i\u00e7inde yaratm\u0131\u015ft\u0131r. Uzayda, yery\u00fcz\u00fcnde, canl\u0131larda, bitkilerde ola\u011fan\u00fcst\u00fc bir uyum, insan\u0131 hayrete d\u00fc\u015f\u00fcren ve hayranl\u0131k uyand\u0131ran harikal\u0131klar vard\u0131r. Rabbimiz bu ola\u011fan\u00fcst\u00fcl\u00fc\u011f\u00fc M\u00fclk Suresi’nde \u015fu \u015fekilde bildirilmektedir:… Rahman (olan Allah)\u0131n yaratmas\u0131nda hi\u00e7bir ‘\u00e7eli\u015fki ve uygunsuzluk’ (tefav\u00fct) g\u00f6remezsin. \u0130\u015fte g\u00f6z\u00fc(n\u00fc) \u00e7evirip-gezdir; herhangi bir \u00e7atlakl\u0131k (bozukluk ve \u00e7arp\u0131kl\u0131k) g\u00f6r\u00fcyor musun? Sonra g\u00f6z\u00fcn\u00fc iki kere daha \u00e7evirip-gezdir; o g\u00f6z (uyumsuzluk bulmaktan) umudunu kesmi\u015f bir halde bitkin olarak sana d\u00f6necektir. (M\u00fclk Suresi, 3-4)\u0130nsano\u011flu kainat\u0131, do\u011fay\u0131, hayvanlar\u0131, bitkileri ve insan v\u00fccudunu inceledik\u00e7e Allah’\u0131n sonsuz sanat\u0131n\u0131n \u00f6rneklerini daha yak\u0131ndan fark eder ve bu yarat\u0131l\u0131\u015f harikal\u0131klar\u0131 ki\u015finin imanda derinle\u015fmesine, Allah korkusunun ve Allah sevgisinin artmas\u0131na vesile olur.<\/p>\n

Bir ay\u00e7i\u00e7e\u011finin yapraklar\u0131nda, salyangozun kabu\u011funda, \u00e7am kozala\u011f\u0131nda ya da parmaklar\u0131m\u0131z\u0131n uzunlu\u011funda bulunan matematiksel oran da bu ola\u011fan\u00fcst\u00fcl\u00fcklerden bir tanesidir. Bilim adamlar\u0131n\u0131n “Alt\u0131n oran” ismini verdikleri bu hayranl\u0131k uyand\u0131ran uyumu \u015fu \u015fekilde tan\u0131mlamak m\u00fcmk\u00fcnd\u00fcr:<\/p>\n

\u0130talya’n\u0131n Pisa Kenti’nden “Leonardo Pisano” veya lakab\u0131 olan “Fibonacci”, Orta\u00e7a\u011f’\u0131n en etkili matematik\u00e7isi olarak an\u0131l\u0131r. Fibonacci’nin buldu\u011fu say\u0131 dizisi, kendi ad\u0131 olan Fibonacci say\u0131lar\u0131 olarak an\u0131lmaktad\u0131r. Bu say\u0131lar\u0131n \u00f6zelli\u011fi, dizideki say\u0131lardan her birinin kendisinden \u00f6nce gelen iki say\u0131n\u0131n toplam\u0131ndan olu\u015fmas\u0131d\u0131r.1<\/p>\n

Fibonacci dizisi 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, … \u015feklinde ilerlemektedir.<\/p>\n

Dizideki say\u0131lar\u0131 bir \u00f6ncekine b\u00f6ld\u00fc\u011f\u00fcn\u00fczde, birbirine \u00e7ok yak\u0131n say\u0131lar elde edersiniz. Hatta serideki 13. s\u0131rada yer alan say\u0131dan sonra bu say\u0131 sabitlenir. \u0130\u015fte bu say\u0131 “alt\u0131n oran” olarak adland\u0131r\u0131lan 1,618’dir.<\/p>\n

233 \/ 144 = 1,618
\n377 \/ 233 = 1,618
\n610 \/ 377 = 1,618
\n987 \/ 610 = 1,618
\n1597 \/ 987 = 1,618
\n2584 \/ 1597 = 1,618<\/p>\n

Bu oran Allah’\u0131n bir mucizesi olarak, do\u011fadaki bir\u00e7ok varl\u0131kta g\u00f6zlenebilir. H\u00fccrelerimizin i\u00e7indeki DNA sarmal\u0131ndan, uzaydaki galaksilerin \u015fekillerine kadar alt\u0131n oran\u0131 bulmak m\u00fcmk\u00fcnd\u00fcr. Talak Suresi’nde “Rabbimiz’in her\u015fey i\u00e7in bir \u00f6l\u00e7\u00fc k\u0131ld\u0131\u011f\u0131” bildirilmektedir. (Talak Suresi, 3) \u0130\u015fte Alt\u0131n Oran da Allah’\u0131n d\u0131\u015f alemde bizler i\u00e7in var etti\u011fi yarat\u0131l\u0131\u015f delillerinden biridir.<\/p>\n

1 Guy Murchie, The Seven Mysteries Of Life, First Mariner Boks, New York s. 58-59<\/p>\n

Alt\u0131n Oran Nerelerde Kullan\u0131l\u0131r<\/p>\n

Alt\u0131n Oran Nerelerde Kullan\u0131l\u0131r<\/p>\n

1) Ay\u00e7i\u00e7e\u011fi: Ay\u00e7i\u00e7e\u011fi’nin merkezinden d\u0131\u015far\u0131ya do\u011fru sa\u011fdan sola ve soldan sa\u011fa do\u011fru tane say\u0131lar\u0131n\u0131n birbrine oran\u0131 alt\u0131n oran\u0131 verir.<\/p>\n

2) Papatya \u00c7i\u00e7e\u011fi: Papatya \u00c7i\u00e7e\u011finde de ay\u00e7i\u00e7e\u011finde oldu\u011fu gibi bir alt\u0131n oran mevcuttur.<\/p>\n

3) \u0130nsan Kafas\u0131: Bildi\u011finiz gibi her insan\u0131n kafas\u0131nda bir ya da birden fazla sa\u00e7lar\u0131n \u00e7\u0131kt\u0131\u011f\u0131 d\u00fc\u011f\u00fcm noktas\u0131 denilen bir nokta vard\u0131r. \u0130\u015fte bu noktadan \u00e7\u0131kan sa\u00e7lar do\u011frusal yani dik de\u011fil, bir spiral, bir e\u011fri yaparak \u00e7\u0131kmaktad\u0131r. \u0130\u015fte bu spiralin ya da e\u011frinin tanjant\u0131 yani e\u011frilik a\u00e7\u0131s\u0131 bize alt\u0131n oran\u0131 verecektir.<\/p>\n

4) \u0130nsan V\u00fccudu: \u0130nsan V\u00fccudunda Alt\u0131n Oran’\u0131n nerelerde g\u00f6r\u00fcld\u00fc\u011f\u00fcne bakal\u0131m:
\na) Kollar: \u0130nsan v\u00fccudunun bir par\u00e7as\u0131 olan kollar\u0131 dirsek iki b\u00f6l\u00fcme ay\u0131r\u0131r(B\u00fcy\u00fck(\u00fcst) b\u00f6l\u00fcm ve k\u00fc\u00e7\u00fck(alt) b\u00f6l\u00fcm olarak). Kolumuzun \u00fcst b\u00f6l\u00fc- m\u00fcn\u00fcn alt b\u00f6l\u00fcme oran\u0131 alt\u0131n oran\u0131 verce\u011fi gibi, kolumuzun tamam\u0131n\u0131n \u00fcst b\u00f6l\u00fcme oran\u0131 yine alt\u0131n oran\u0131 verir.
\nb) Parmaklar: Ellerimizdeki parmaklarla alt\u0131n oran\u0131n ne alakas\u0131 var diyebilirsiniz. \u0130\u015fte size alaka… Parmaklar\u0131n\u0131z\u0131n \u00fcst bo\u011fumunun alt bo\u011fuma oran\u0131 alt\u0131n oran\u0131 verece\u011fi gibi, parma\u011f\u0131n\u0131z\u0131n tamam\u0131n\u0131n \u00fcst bo\u011fuma oran\u0131 yine alt\u0131n oran\u0131 verir.<\/p>\n

5) Tav\u015fan: \u0130nsan kafas\u0131nda oldu\u011fu gibi tav\u015fanda da ayn\u0131 \u00f6zellik vard\u0131r.<\/p>\n

6) M\u0131s\u0131r Piramitleri: \u0130\u015fte size Alt\u0131n Oran’\u0131n en eski \u00f6rneklerinden biri… \u015eimdi ne alaka Alt\u0131n Oran ve Milattan \u00d6nce yap\u0131lan M\u0131s\u0131r Piramitleri? Alaka \u015fu; Her bir piramitin taban\u0131n\u0131n y\u00fcksekli\u011fine oran\u0131 evet yine alt\u0131n oran\u0131 veriyor.<\/p>\n

7) Leonardo da Vinci: Bilindi\u011fi gibi Leonardo da Vinci R\u00f6nesans devri \u00fcnl\u00fc ressamlar\u0131ndand\u0131r. \u015eimdi bu \u00fcnl\u00fc ressam\u0131n \u00e7izmi\u015f ooldu\u011fu tablolar\u0131 inceleyelim.
\na) Mona Lisa: Bu tablonun boyunun enine oran\u0131 alt\u0131n oran\u0131 verir.
\nb) Aziz Jerome: Yine tablonun boyunun enine oran\u0131 bize alt\u0131n oran\u0131 verir.<\/p>\n

8) Picasso: Picasso da Leonardo da Vinci gibi \u00fcnl\u00fc bir ressamd\u0131r. Ve resimlerinde bu oran\u0131 kullanm\u0131\u015ft\u0131r.<\/p>\n

9) \u00c7am Kozala\u011f\u0131: \u00c7am kozala\u011f\u0131ndaki taneler kozala\u011f\u0131n alt\u0131ndaki sabit bir noktadan kozala\u011f\u0131n tepesindeki ba\u015fka bir sabit noktaya do\u011fru spiraller (e\u011friler) olu\u015fturarak \u00e7\u0131karlar. \u0130\u015fte bu e\u011frinin e\u011frilik a\u00e7\u0131s\u0131 alt\u0131n orand\u0131r.<\/p>\n

10) Deniz Kabu\u011fu: Denize \u00e7o\u011fumuz gitmi\u015fizdir. Deniz kabuklar\u0131na dikkat edenimiz, belki de kolleksiyon yapan\u0131m\u0131z vard\u0131r. \u0130\u015fte deniz kabu\u011funun yap\u0131s\u0131 incelendi\u011finde bir e\u011frilik tespit edilmi\u015f ve bu e\u011frili\u011fin tanjant\u0131n\u0131n alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

11) T\u00fct\u00fcn Bitkisi: T\u00fct\u00fcn Bitkisinin yapraklar\u0131n\u0131n dizili\u015finde bir e\u011frilik s\u00f6z konusudur. Bu e\u011frili\u011fin tanjant\u0131 alt\u0131n orand\u0131r.<\/p>\n

12) E\u011frelti Otu: T\u00fct\u00fcn Bitkisindeki ayn\u0131 \u00f6zellik E\u011frelti Otu’nda da vard\u0131r.<\/p>\n

13) Elektrik Devresi: Ya demek ki Alt\u0131n Oran sadece Matematik ve kainatta de\u011fil, Fizik’te de kullan\u0131l\u0131yormu\u015f. Nas\u0131l m\u0131? \u015e\u00f6yle… Verilen n tane diren\u00e7ten maximum verim elde etmek i\u00e7in bir paralel ba\u011flama yap\u0131lmas\u0131 gerekir. Bu durumda E\u015fde\u011fer Diren\u00e7, yani Re\u015f= yani alt\u0131n oran olur.<\/p>\n

14) Salyangoz: Salyangozun Kabu\u011fu bir d\u00fczleme aktar\u0131l\u0131rsa, bu d\u00fczlem bir dikd\u00f6rtgen olu\u015fturur (-ki biz bu dikd\u00f6rtgene alt\u0131n dikd\u00f6rtgen diyoruz.-) \u0130\u015fte bu dikd\u00f6rtgenin boyunun enine oran\u0131 yine alt\u0131n oran\u0131 verir.<\/p>\n

15) OTOMOT\u0130V SANAY\u0130: \u0130lk \u00f6nce ben size bir soru y\u00f6nelteyim. Estetik bak\u0131m\u0131ndan bir Murat 131 mi daha \u00e7ok ilginizi \u00e7eker yoksa bir Mazda ya da Toyota m\u0131? Tabi ki Mazda ya da Toyota demi\u015fsinizdir. Peki bunun nedenini hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? Ben size s\u00f6yleyeyim. \u015eimdi Murat 131’e bak\u0131yorsunuz, bakt\u0131k\u00e7a i\u00e7iniz karar\u0131yor, yine bak\u0131yorsunuz yine karar\u0131yor. En sonunda ya karde\u015fim bu ne bi\u00e7im araba diyorsunuz. Ama gidip bir Mazda ya da Toyota’ya bak\u0131yorsunuz. Bakt\u0131k\u00e7a i\u00e7iniz rahatl\u0131yor, yine bak\u0131yorsunuz ferahl\u0131yorsunuz. \u00c7\u00fcnk\u00fc o kadar g\u00fczel bir estetik var ki. \u0130\u015fte bu esteti\u011fi e\u011fim sa\u011fl\u0131yor. Mesela Murat 131’in \u00f6n\u00fc, arkas\u0131, kap\u0131s\u0131 her yeri d\u00fcz (M\u00fcbarek kibrit kutusu) Ama Mazda ya da Toyota’n\u0131n kap\u0131s\u0131nda \u00f6zellikle \u00f6n ve arka tamponunda bir e\u011fim var. \u0130\u015fte bu e\u011fimin e\u011frilik a\u00e7\u0131s\u0131 ara\u015ft\u0131r\u0131lm\u0131\u015f ve bunun alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Bundan dolay\u0131 \u00c7in, Amerika, Japon Otomotiv Sanayi D\u00fcnya’da ilk \u00fc\u00e7\u00fc olu\u015ftururken; T\u00fcrkiye maalesef ve maalesef 30-40-50. s\u0131ralarda yer almakta. \u0130n\u015fallah bir g\u00fcn bunu biz de ak\u0131l ederiz…<\/p>\n

16) M\u0130MAR S\u0130NAN: Mimar Sinan’\u0131n da bir \u00e7ok eserinde bu alt\u0131n oran g\u00f6r\u00fclmektedir. Mesela S\u00fcleymaniye ve Selimiye Camileri’nin minarelerinde bu oran g\u00f6r\u00fclmektedir.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\"\"Alt\u0131n Oran Nedir?<\/strong><\/span><\/div>\n
D\u00fcnyan\u0131n, insanlar\u0131n, bitkilerin, a\u011fa\u00e7lar\u0131n… , k\u0131sacas\u0131 Kainat’\u0131n yarat\u0131l\u0131\u015f\u0131nda yarat\u0131c\u0131n\u0131n kulland\u0131\u011f\u0131 orand\u0131r.
\nAyn\u0131 zamanda insanlar da teknolojide ve hayatta bu oran\u0131 kullanmaktad\u0131rlar. K\u0131saca biz alt\u0131n orana “g\u00f6z nizam\u0131n\u0131n oran\u0131” diyebiliriz.
\n\u00c7o\u011fu zaman do\u011fay\u0131 g\u00f6zledi\u011fimizde bu oran\u0131n varl\u0131\u011f\u0131n\u0131 g\u00f6rebiliriz.<\/div>\n

 <\/p>\n

Alt\u0131n Oran’\u0131n G\u00f6r\u00fcld\u00fc\u011f\u00fc ve Kullan\u0131ld\u0131\u011f\u0131 Yerler<\/strong><\/div>\n

 <\/p>\n

1) Ay\u00e7i\u00e7e\u011fi:<\/strong> Ay\u00e7i\u00e7e\u011fi’nin merkezinden d\u0131\u015far\u0131ya do\u011fru sa\u011fdan sola ve soldan sa\u011fa do\u011fru tane say\u0131lar\u0131n\u0131n birbrine oran\u0131 alt\u0131n oran\u0131 verir.<\/div>\n
2) Papatya \u00c7i\u00e7e\u011fi:<\/strong> Papatya \u00c7i\u00e7e\u011finde de ay\u00e7i\u00e7e\u011finde oldu\u011fu gibi bir alt\u0131n oran mevcuttur.<\/div>\n
3) \u0130nsan Kafas\u0131:<\/strong> Bildi\u011finiz gibi her insan\u0131n kafas\u0131nda bir ya da birden fazla sa\u00e7lar\u0131n \u00e7\u0131kt\u0131\u011f\u0131 d\u00fc\u011f\u00fcm noktas\u0131 denilen bir nokta vard\u0131r. \u0130\u015fte bu noktadan \u00e7\u0131kan sa\u00e7lar do\u011frusal yani dik de\u011fil, bir spiral, bir e\u011fri yaparak \u00e7\u0131kmaktad\u0131r. \u0130\u015fte bu spiralin ya da e\u011frinin tanjant\u0131 yani e\u011frilik a\u00e7\u0131s\u0131 bize alt\u0131n oran\u0131 verecektir.<\/div>\n

 <\/p>\n


\n<\/span><\/div>\n
4) \u0130nsan V\u00fccudu:<\/strong> \u0130nsan V\u00fccudunda Alt\u0131n Oran’\u0131n nerelerde g\u00f6r\u00fcld\u00fc\u011f\u00fcne bakal\u0131m:<\/div>\n
a) Kollar:<\/strong> \u0130nsan v\u00fccudunun bir par\u00e7as\u0131 olan kollar\u0131 dirsek iki b\u00f6l\u00fcme ay\u0131r\u0131r(B\u00fcy\u00fck(\u00fcst) b\u00f6l\u00fcm ve k\u00fc\u00e7\u00fck(alt) b\u00f6l\u00fcm olarak). Kolumuzun \u00fcst b\u00f6l\u00fc- m\u00fcn\u00fcn alt b\u00f6l\u00fcme oran\u0131 alt\u0131n oran\u0131 verce\u011fi gibi, kolumuzun tamam\u0131n\u0131n \u00fcst b\u00f6l\u00fcme oran\u0131 yine alt\u0131n oran\u0131 verir.<\/div>\n
b) Parmaklar:<\/strong> Ellerimizdeki parmaklarla alt\u0131n oran\u0131n ne alakas\u0131 var diyebilirsiniz. \u0130\u015fte size alaka… Parmaklar\u0131n\u0131z\u0131n \u00fcst bo\u011fumunun alt bo\u011fuma oran\u0131 alt\u0131n oran\u0131 verece\u011fi gibi, parma\u011f\u0131n\u0131z\u0131n tamam\u0131n\u0131n \u00fcst bo\u011fuma oran\u0131 yine alt\u0131n oran\u0131 verir.<\/div>\n
\u00d6rne\u011fin \u00fcst \u00e7enedeki \u00f6n iki di\u015fin enlerinin toplam\u0131n\u0131n boylar\u0131na oran\u0131 alt\u0131n oran\u0131 verir. \u0130lk di\u015fin geni\u015fli\u011finin merkezden ikinci di\u015fe oran\u0131 da alt\u0131n orana dayan\u0131r. Bunlar bir di\u015f\u00e7inin dikkate alabilece\u011fi en ideal oranlard\u0131r.<\/div>\n

 <\/p>\n

5) Tav\u015fan:<\/strong> \u0130nsan kafas\u0131nda oldu\u011fu gibi tav\u015fanda da ayn\u0131 \u00f6zellik vard\u0131r.<\/div>\n
6) M\u0131s\u0131r Piramitleri:<\/strong> \u0130\u015fte size Alt\u0131n Oran’\u0131n en eski \u00f6rneklerinden biri… \u015eimdi ne alaka Alt\u0131n Oran ve Milattan \u00d6nce yap\u0131lan M\u0131s\u0131r Piramitleri? Alaka \u015fu; Her bir piramitin taban\u0131n\u0131n y\u00fcksekli\u011fine oran\u0131 evet yine alt\u0131n oran\u0131 veriyor.
\n7) Leonardo da Vinci:<\/strong> Bilindi\u011fi gibi Leonardo da Vinci R\u00f6nesans devri \u00fcnl\u00fc ressamlar\u0131ndand\u0131r. \u015eimdi bu \u00fcnl\u00fc ressam\u0131n \u00e7izmi\u015f ooldu\u011fu tablolar\u0131 inceleyelim.
\na) Mona Lisa:<\/strong> Bu tablonun boyunun enine oran\u0131 alt\u0131n oran\u0131 verir.
\nb) Aziz Jerome:<\/strong> Yine tablonun boyunun enine oran\u0131 bize alt\u0131n oran\u0131 verir.
\nLeonardo da Vinci (1452-1519) eserlerini alt\u0131n orana uyarak ger\u00e7ekle\u015ftirmi\u015ftir. G\u00fcn\u00fcm\u00fcz mimarlar\u0131n\u0131n \u00fcstadlar\u0131ndan olan Ernst Neufert alt\u0131n oran\u0131 kullanm\u0131\u015ft\u0131r.
\n8) Picasso:<\/strong> Picasso da Leonardo da Vinci gibi \u00fcnl\u00fc bir ressamd\u0131r. Ve resimlerinde bu oran\u0131 kullanm\u0131\u015ft\u0131r.
\n9) \u00c7am Kozala\u011f\u0131:<\/strong> \u00c7am kozala\u011f\u0131ndaki taneler kozala\u011f\u0131n alt\u0131ndaki sabit bir noktadan kozala\u011f\u0131n tepesindeki ba\u015fka bir sabit noktaya do\u011fru spiraller (e\u011friler) olu\u015fturarak \u00e7\u0131karlar. \u0130\u015fte bu e\u011frinin e\u011frilik a\u00e7\u0131s\u0131 alt\u0131n orand\u0131r.
\n10) Deniz Kabu\u011fu:<\/strong> Denize \u00e7o\u011fumuz gitmi\u015fizdir. Deniz kabuklar\u0131na dikkat edenimiz, belki de kolleksiyon yapan\u0131m\u0131z vard\u0131r. \u0130\u015fte deniz kabu\u011funun yap\u0131s\u0131 incelendi\u011finde bir e\u011frilik tespit edilmi\u015f ve bu e\u011frili\u011fin tanjant\u0131n\u0131n alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.
\n11) T\u00fct\u00fcn Bitkisi:<\/strong> T\u00fct\u00fcn Bitkisinin yapraklar\u0131n\u0131n dizili\u015finde bir e\u011frilik s\u00f6z konusudur. Bu e\u011frili\u011fin tanjant\u0131 alt\u0131n orand\u0131r.
\n12) E\u011frelti Otu:<\/strong> T\u00fct\u00fcn Bitkisindeki ayn\u0131 \u00f6zellik E\u011frelti Otu’nda da vard\u0131r.
\n13) Elektrik Devresi:<\/strong> Ya demek ki Alt\u0131n Oran sadece Matematik ve kainatta de\u011fil, Fizik’te de kullan\u0131l\u0131yormu\u015f. Nas\u0131l m\u0131? \u015e\u00f6yle… Verilen n tane diren\u00e7ten maximum verim elde etmek i\u00e7in bir paralel ba\u011flama yap\u0131lmas\u0131 gerekir. Bu durumda E\u015fde\u011fer Diren\u00e7, yani Re\u015f= yani alt\u0131n oran olur.<\/div>\n

Nautilus Pompilius<\/strong>Evrimin ilk a\u015famalar\u0131ndan beri de\u011fi\u015fmeden ayn\u0131 b\u00fcy\u00fcme \u015feklini izleyen kabuklu deniz hayvanlar\u0131n\u0131n b\u00fcy\u00fcme \u015fekilleri ilgi \u00e7ekicidir. Milyonlarca y\u0131ll\u0131k fosillerde de g\u00fcn\u00fcm\u00fczde de kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z bu bildik \u015fekil deniz kabuklar\u0131n\u0131n b\u00fcy\u00fcmeleri alt\u0131n oran\u0131 kar\u015f\u0131m\u0131za \u00e7\u0131kart\u0131r.<\/p>\n

14) Salyangoz:<\/strong>Salyangozun Kabu\u011fu bir d\u00fczleme aktar\u0131l\u0131rsa, bu d\u00fczlem bir dikd\u00f6rtgen olu\u015fturur (-ki biz bu dikd\u00f6rtgene alt\u0131n dikd\u00f6rtgen diyoruz.-) \u0130\u015fte bu dikd\u00f6rtgenin boyunun enine oran\u0131 yine alt\u0131n oran\u0131 verir.<\/p>\n

15) OTOMOT\u0130V SANAY\u0130:<\/strong> \u0130lk \u00f6nce ben size bir soru y\u00f6nelteyim. Estetik bak\u0131m\u0131ndan bir Murat 131 mi daha \u00e7ok ilginizi \u00e7eker yoksa bir Mazda ya da Toyota m\u0131? Tabi ki Mazda ya da Toyota demi\u015fsinizdir. Peki bunun nedenini hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? Ben size s\u00f6yleyeyim. \u015eimdi Murat 131’e bak\u0131yorsunuz, bakt\u0131k\u00e7a i\u00e7iniz karar\u0131yor, yine bak\u0131yorsunuz yine karar\u0131yor. En sonunda ya karde\u015fim bu ne bi\u00e7im araba diyorsunuz. Ama gidip bir Mazda ya da Toyota’ya bak\u0131yorsunuz. Bakt\u0131k\u00e7a i\u00e7iniz rahatl\u0131yor, yine bak\u0131yorsunuz ferahl\u0131yorsunuz. \u00c7\u00fcnk\u00fc o kadar g\u00fczel bir estetik var ki. \u0130\u015fte bu esteti\u011fi e\u011fim sa\u011fl\u0131yor. Mesela Murat 131’in \u00f6n\u00fc, arkas\u0131, kap\u0131s\u0131 her yeri d\u00fcz (M\u00fcbarek kibrit kutusu) Ama Mazda ya da Toyota’n\u0131n kap\u0131s\u0131nda \u00f6zellikle \u00f6n ve arka tamponunda bir e\u011fim var. \u0130\u015fte bu e\u011fimin e\u011frilik a\u00e7\u0131s\u0131 ara\u015ft\u0131r\u0131lm\u0131\u015f ve bunun alt\u0131n oran oldu\u011fu g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Bundan dolay\u0131 \u00c7in, Amerika, Japon Otomotiv Sanayi D\u00fcnya’da ilk \u00fc\u00e7\u00fc olu\u015ftururken; T\u00fcrkiye maalesef ve maalesef 30-40-50. s\u0131ralarda yer almakta. \u0130n\u015fallah bir g\u00fcn bunu biz de ak\u0131l ederiz…<\/div>\n
16) M\u0130MAR S\u0130NAN:<\/strong> Mimar Sinan’\u0131n da bir \u00e7ok eserinde bu alt\u0131n oran g\u00f6r\u00fclmektedir. Mesela S\u00fcleymaniye ve Selimiye Camileri’nin minarelerinde bu oran g\u00f6r\u00fclmektedir.<\/div>\n

Akci\u011ferler
\n<\/strong>Amerikal\u0131 fizik\u00e7i B. J. West ile doktor A. L. Goldberger, 1985-1987 y\u0131llar\u0131 aras\u0131nda y\u00fcr\u00fctt\u00fckleri ara\u015ft\u0131rmalar\u0131nda, akci\u011ferlerin yap\u0131s\u0131ndaki alt\u0131n oran\u0131n\u0131n varl\u0131\u011f\u0131n\u0131 ortaya koydular. Akci\u011feri olu\u015fturan bron\u015f a\u011fac\u0131n\u0131n bir \u00f6zelli\u011fi, asimetrik olmas\u0131d\u0131r. \u00d6rne\u011fin, soluk borusu, biri uzun (sol) ve di\u011feri de k\u0131sa (sa\u011f) olmak \u00fczere iki ana bron\u015fa ayr\u0131l\u0131r. Ve bu asimetrik b\u00f6l\u00fcnme, bron\u015flar\u0131n ard\u0131\u015f\u0131k dallanmalar\u0131nda da s\u00fcr\u00fcp gider. \u0130\u015fte bu b\u00f6l\u00fcnmelerin hepsinde k\u0131sa bron\u015fun uzun bron\u015fa olan oran\u0131n\u0131n yakla\u015f\u0131k olarak 1\/1,618 de\u011ferini verdi\u011fi saptanm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

Kalp At\u0131\u015flar\u0131<\/strong>
\nAray\u0131nca alt\u0131n oran\u0131 kalp at\u0131\u015flar\u0131nda bile bulmak m\u00fcmk\u00fcn.
\nKula\u011fa biraz zorlama gibi gelse de ekg g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc bir kontrol edin.
\nKalp bu resme g\u00f6re Phi say\u0131s\u0131na uygun at\u0131yor ancak emin olabilmek i\u00e7in ba\u015fka bir ekg bulup denemesi m\u00fcmk\u00fcn tabii.<\/p>\n

DNA<\/strong>
\nDNA molek\u00fcl\u00fc t\u00fcm ya\u015fam\u0131n program\u0131n\u0131 ta\u015f\u0131maktad\u0131r. Temelinde de alt\u0131n oran bulunmaktad\u0131r. Her tam turunda 34 angstrom uzunlu\u011funda ve 21 angstrom geni\u015fli\u011findeki \u00e7ift heliks spiral yap\u0131s\u0131 ile tabi ki alt\u0131n oran\u0131 b\u00fcnyesinde bulundurmaktad\u0131r. 34\/21= 1.619 say\u0131s\u0131n\u0131 bulmaktad\u0131r. Malum say\u0131m\u0131z 1.618 yani phi say\u0131s\u0131na ne kadar da yak\u0131n \u00f6yle de\u011fil mi?<\/p>\n

Evren<\/strong>
\nGezegenlerin birbirlerine olan uzakl\u0131klar\u0131ndan tutun da, Sat\u00fcrn\u00fcn halkalar\u0131na hatta evrenin kendi \u015fekline kadar phi say\u0131s\u0131 tekrar tekrar kendini g\u00f6sterir.
\nYeni bulu\u015flar g\u00f6stermi\u015ftir ki evrenin \u015fekli bir dodecahedrondur (12 y\u00fcz\u00fc e\u015fkenar be\u015fgenlerden (pentagon) olu\u015fan bir yap\u0131 ki bu da temelinde phi say\u0131s\u0131 olan bir yap\u0131 olarak kendini g\u00f6sterir.<\/p>\n

Bitkiler<\/strong>
\nAy\u00e7i\u00e7e\u011finde yer alan ay\u00e7ekirdekleri saat y\u00f6n\u00fcnde 55 adet buna kar\u015f\u0131l\u0131k saat y\u00f6n\u00fcn\u00fcn tersine 89 adet ay\u00e7ekirde\u011fi tanesi bulunur. 89\/55=1.618 San\u0131r\u0131m art\u0131k s\u00fcrpriz olmuyor J
\nPapatyalar da b\u00fcy\u00fcrlerken her dal Fibonacci serisine uyarak y\u00fckselmektedir.<\/p>\n

Sonu\u00e7<\/strong>
\nAlt\u0131n oran ile ilgili somut birtak\u0131m veriler ve ortaya \u00e7\u0131kan ger\u00e7ek durum s\u00f6z konusudur. Yaz\u0131 boyunca anlat\u0131lan \u00f6rneklerde neredeyse bakt\u0131\u011f\u0131m\u0131z her yerde g\u00f6rme imk\u00e2n\u0131m\u0131z bulunan alt\u0131n oran i\u00e7in yap\u0131labilecek bir yorum kaosun da bir d\u00fczeninin olabilece\u011fidir.
\nGerisi ise, insan\u0131 d\u00fc\u015f\u00fcnceye dald\u0131r\u0131p, g\u00f6t\u00fcr\u00fcr.<\/p>\n

G\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere bir \u00e7ok yerde bu ALTIN ORAN<\/strong> vard\u0131r.<\/div>\n<\/div>\n
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Alt\u0131n oran nedir? Alt\u0131n oran ka\u00e7t\u0131r? Alt\u0131n oran\u0131n de\u011feri ka\u00e7t\u0131r? Alt\u0131n oran\u0131 kimler kullanm\u0131\u015ft\u0131r? Alt\u0131n oran d\u00fcnyada nerelerde g\u00f6r\u00fcl\u00fcr? Alt\u0131n oran evrende nerelerde g\u00f6r\u00fcl\u00fcr? Hepsinin cevab\u0131n\u0131 alaca\u011f\u0131n\u0131z vidomuzu izleyin. Hayran kalacaks\u0131n\u0131z. buray\u0131 da okuyup payla\u015f\u0131m\u0131za de\u011ferli yorumlar\u0131n\u0131z\u0131 bekliyoruz…Alt\u0131n oran nedir? Allah kainat\u0131 kusursuz bir d\u00fczen i\u00e7inde yaratm\u0131\u015ft\u0131r. Uzayda, yery\u00fcz\u00fcnde, canl\u0131larda, bitkilerde ola\u011fan\u00fcst\u00fc bir uyum, insan\u0131 …<\/p>\n","protected":false},"author":1,"featured_media":17507,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[489,490,136],"class_list":["post-1288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-altin-oran","tag-altin-oran-kactir","tag-cehalet-dusmani"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.ragipsahin.com.tr\/wp-content\/uploads\/2016\/11\/alt%C4%B1n-oran.jpg?fit=1280%2C600&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p2YBEC-kM","jetpack_sharing_enabled":true,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1288"}],"version-history":[{"count":0,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=\/wp\/v2\/media\/17507"}],"wp:attachment":[{"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ragipsahin.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}